Herbert Von Karajan - Audite-edition Vol.1 - CD
Audite
27. augusta 2008
Európa
Karajan's first recording of Verdi's Requiem was made at a time when his career was struggling to recover. The echoes of the war resonate in it, as does the uncertainty of the post-war period. The expressiveness and spontaneity of this interpretation also reveal a conductor who knows his audience as well as he knows his musicians. This concert r...
Stav
Nové
Dostupnosť
Zmenili sme pomenovanie zásobníka. Položky s dodaním do týždňa sú teraz "Skladom u dodávateľa". Položky s dodaním do dvoch týždňov sú teraz "Na sklade u vydavateľa".
Na sklade u vydavateľa
Očakávame
Cena
20,99 €
40,99 €
vrátane DPH 23 %
Dostupnosť
Zmenili sme pomenovanie zásobníka. Položky s dodaním do týždňa sú teraz "Skladom u dodávateľa". Položky s dodaním do dvoch týždňov sú teraz "Na sklade u vydavateľa".
Na sklade u vydavateľa
Očakávame
Various: Herbert Von Karajan - Audite-edition Vol.1 verzia na 2CD v štandardný edícii. Toto konkrétne vydanie vyšlo v Evropě vo vydavateľstve Audite dňa 27. augusta 2008.
Karajan's first recording of Verdi's Requiem was made at a time when his career was struggling to recover. The echoes of the war resonate in it, as does the uncertainty of the post-war period. The expressiveness and spontaneity of this interpretation also reveal a conductor who knows his audience as well as he knows his musicians. This concert recording was made in 1949 at the Salzburg Festival and features some of the outstanding soloists of the time: Hilde Zadek, who was engaged at a very young age at the Vienna State Opera, Margarete Klose, whom Furtwängler also held in high esteem, Helge Rosvaenge, the busiest tenor of those years, and the great Boris Christoff. This production is once again accompanied by a producer's commentary - that is, producer Ludger Böckenhoff's direct impression of the treatment of this historical sound material. Review If music is the food of (political) forgiveness, this performance is Karajan's Day of Atonement. (audaud. com)
Album zasahuje do žánrov Rock, Pop, Stage & Screen, Pop Rock a Soundtrack.
Karajan's first recording of Verdi's Requiem was made at a time when his career was struggling to recover. The echoes of the war resonate in it, as does the uncertainty of the post-war period. The expressiveness and spontaneity of this interpretation also reveal a conductor who knows his audience as well as he knows his musicians. This concert recording was made in 1949 at the Salzburg Festival and features some of the outstanding soloists of the time: Hilde Zadek, who was engaged at a very young age at the Vienna State Opera, Margarete Klose, whom Furtwängler also held in high esteem, Helge Rosvaenge, the busiest tenor of those years, and the great Boris Christoff. This production is once again accompanied by a producer's commentary - that is, producer Ludger Böckenhoff's direct impression of the treatment of this historical sound material. Review If music is the food of (political) forgiveness, this performance is Karajan's Day of Atonement. (audaud. com)
Album zasahuje do žánrov Rock, Pop, Stage & Screen, Pop Rock a Soundtrack.
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